A Literary Feast

Beacons from Pangaea

Posted on May 14th, 2014

 

 

what haunts me at night when I’m holding him in the rocking chair is the faint glow of a

nightlight from the wall behind us giving rise to shadows of caverns and rifts as I begin to

think that the well acquainted ghosts of a grand lost continent hardly fit back together as I

have had the feeling lately that in time I am more him than he is me because tides of time

erode resemblances and nights like these with his shores settled within these ancestral

crooks and his quivering landscape drifts and presses against mine with guttural gurgles

and tired limbs woven and tangled in amongst familiar shores lofting boundaries higher

toward the heavens these are boundaries like walls that squint to identify another as if

seeing the other before is what it looks like after bodies break free and become unique

against all others when we seek the answers to the mysteries of our blood and callings

because resemblance is only a construction pulling together what might have been or

what never was or what should be in hopes of affirmation to say that I am and he is and

we are because when I pick him up I am picking him up to hold him to listen to his chest

hurling harmonious murmurs the sounds I have come to know and the same respirations

echoed within me and out of me into this room

Nothing at all Whole or Shut

Posted on May 14th, 2014

I touch the boy on the arm. They say you aren’t supposed to touch the students but I’ve found that there are some, pulled left and right and up and down by a herd of A’s and D’s and those most pernicious of H’s, that need the physical contact to separate my voice from everything else.

 

“I want you to try the ones I’ve circled again,” I say. His whole body shows his shift in attention from me to the vocabulary list on the desk; his neck snaps forward, his feet jump and then brace on the dirty linoleum, his fingers – all ten of them – spasm and the point of his pencil smashes onto the page, crumbling into a soft pile of gray dust under the word tumultuous. “You’ve used them all like adjectives,” I say. His neck snaps up again and for the briefest moment one hundred percent of his attention bores into my eyes, taking my breath away, like it always does.

 

“I know,” he says, with an abashed grin; “I always do that.” A student across the room sneezes and suddenly he’s gone from our conversation; his feet jump, his hands twitch, and his head snaps around toward the noise.

 

There’s a poem by Mary Oliver I’ve been trying to work into the curriculum. I go down to the edge of the sea. I’ll have to wait until next year, however, because I don’t think I can take the explosion of protest when I say we’re going to do a poem. How everything shines in the morning light! Right now I’m too tired. There’s only so much combat my soul can take. The cusp of the whelk, the broken cupboard of the clam, the opened, blue mussels, moon snails, pale pink and barnacle scarred— and nothing at all whole or shut, but tattered, split, dropped by the gulls onto the gray rocks and all the moisture gone.

 

One of the girls in 5th period lost her brother last fall. He was also a student at the school. Younger. I didn’t know him. On a quiz last week she was reflecting about her family’s social class and wrote that there were five, then crossed out “five” with one straight line and wrote “four” people living in her household. It was the first time I cried while grading.

 

It’s like a schoolhouse

of little words,

thousands of words.

 

I repeat directions. I repeat definitions. I repeat what’s going to be on the final until I feel as though maybe we’ve already taken it and should just go home now. Halfway through a novel one boy turns to me and says, “wait, this isn’t true?” and I can only stare, speechless for a moment. “No,” I say. “It’s fiction. I’ve said that every day for the last two months.” It’s a frustrating read, I’ll give him that, and he debates the author’s intent with me for thirty minutes. “I’m actually mad right now,” he says, and, “I don’t think I’ve ever argued about a book before.” I give him a high five; screw whoever says I shouldn’t touch them.

 

This story is beautiful, I tell them. First you figure out what each one means by itself, the author might not have meant the window to symbolize all that, the jingle, but if you read it that way, the periwinkle, it’s interesting and complicated, the scallop full of moonlight, just like life. It doesn’t matter if it’s true, or if it would never work that way, or how the Cyclops milked his goats if his hands were so big – sure, maybe they were giant goats – what matters is if it makes you feel and think and takes your breath away, even for just a moment.

 

Then you begin, slowly, to read the whole story.

 

A guidance counselor tells me that the students like me. “Really?” I ask. “Well,” he says, “they don’t complain about you, and that’s pretty much the same thing.”

Unconditional Surrender

Posted on May 14th, 2014

Summer rotted as summer always did, then shriveled into fall’s mummifications. Winter was sterile as moondust and had very little to do with blood and breath. Then spring came, or something like spring, and death walked the hills again.

Mostly he watched it from his bedroom window. On his braver days he wandered out into the brunt of it to try to find an answer. Yesterday had been a braver day. He’d pulled on his rubber boots, slipped his lucky stone into his jacket pocket, and knocked three times on the porch railing, once for the past, once for the future, once for making it back again. Then he’d rubbed his teeth against one another and plunged into the wild, bloody field where robins ripped worms from the earth and late frosts had strangled the first seedlings. He’d gone because he had to. It was a ritual through which he hoped to glimpse his enemy’s hand. To study his movements. To beat him.

He only lasted three minutes, until a sick squirrel limped across his path, fur peeling from its flanks like sheets of rain. He sprinted back to the safety of the porch, eyes clenched, lips muttering a spell he didn’t trust.

Today was not a brave day. Today he lodged himself in a corner of his bedroom and waited for breakfast to end and for the others to go away. He didn’t want to see them. They were deer in the crosshairs of a rifle sight and somehow it didn’t bother them at all. He couldn’t face their smiles and their patronizing kisses. They were big. They could do something about it if they wanted to.

Yet they did nothing. Conclusion: no help there. He’d have to fight this war alone.

Even his bedroom didn’t look safe today. Too much blue plush, too many fringes reaching out like tentacles, too much room for pestilence to lurk between the piles of the carpet. His breath came in narrow gulps. He tried to keep it out of his lungs. No good. It was everywhere. He could smell it.

He slipped out his bedroom door and down the hallway on tiptoes in search of some other shelter. A draft from a window tickled his face, smelling of rot and the dark parts of the earth. He squinted, squealed. It was horrible. He needed a place to cower, a place where even the wind couldn’t enter.

He closed the bathroom door behind him, grinning at the sterile click the latch made. Everything was better here. Fluorescent lights, dark blinds, and the satisfying odor of chlorine bleach set him free for a moment from the panic of living. And better still—a little giddy, a little smug, his eyes fell on the door to the cabinet below the bathroom sink. That was it—his fortress within a fortress. The darkest, cleanest corner. Sanctuary.

No. Danger. He opened the cupboard. A forest of bottles and boxes, each one marked with small print and words like WARNING and some even with skulls and crossbones. It looked like his nightmares. Where were the crisp, bleached linens? Someone must have rearranged the world. He knew who. He’d seen pictures.

He squeezed his eyes shut so that purple dots danced against the black field of his withdrawal, fleeing backward into the place inside himself where he was nothing but thought and mind and the mucky contortions that held them together. But it was no good. The skulls followed him, smirking like the April sun, and the empty black robe with the curved blade and the hands like skeletons chased behind them, laughing like a kettledrum as it wrapped around his face, plugged his nose, snaked down his throat, crept across his skin in tiny tickling shimmies—

Wait. He opened his eyes. It was all just his—what was the word?—imagination. Except for the tiny tickling shimmies. Those were real. He looked down at the bare skin of his ankle, where three or four ants crept in an line. Their antennae swayed thoughtfully as they sniffed up and down the length of his shin, wagging like pups.

He liked them somehow. They were on his side.

Then he saw that the last one in the row carried the twisted husk of what had been one of them, split nearly in two by some sudden and thorough trauma. The boy stared. No sorrow here. No panic. No tiny wails.

It was as though they didn’t even mind.

Then a wicked smirk spread across his own face and he knew what he had to do.

It only took a few minutes to set up the operation. He had a sense of purpose now and he didn’t even mind that the others had left the window open and that the kitchen smelled pleasantly of lilacs that would shrivel to nothing by the end of the month.

When everything was ready he lay down on his belly on the yellowed linoleum of the kitchen floor so he could watch from eye level and miss nothing.

* * * * *

His mother came home to disaster.

As her car arced into the automatic garage she was startled and maybe a little pleased by the sight of her child outdoors by himself with a smile on his face. Last week he hadn’t wanted his feet to touch the grass even through his sneakers. Too dangerous, he’d said. She didn’t know for whom. But now he lay on his back, fingers spread, staring up at the leaves of the oak tree and appearing to breathe without effort. She tried to wave through the car window but he didn’t see.

The garage closed. She locked the car, unlocked the house, wiped her feet, stopped cold on the threshold, stared.

It was like blood under a strong microscope or the ploughed fields of the Western states seen from above. Red plastic disks lay around the floor in rough clusters. Between them, interstitial blots of pale ooze overlay the dull yellow linoleum of the kitchen floor. The whole affair had a sticky look and smelled almost pleasant, like a gentle blend of jams and syrups.

She crouched down to examine the nearest of the red disks. She hadn’t used these in years. Where had he even found them? Under the bathroom sink, probably. He liked to hide there. Maybe they shouldn’t have moved the linens. If he’d poisoned himself too she wouldn’t think twice about blaming Pete.

She sighed, shook her head, looked again at the floor that she would now have to spend the afternoon washing. Caught in the wide swaths of syrup and jam were hundreds upon hundreds of tiny black bodies, a few of them still wriggling.

She shouted to him from the porch. He turned and looked toward her with a smile that she found upsetting. The counselor had called him disturbed but that didn’t mean much.

He turned, smiling, to see her watching him with that look that meant she didn’t want to tell him what he’d done wrong. He ignored it this time, too pleased with his victory to care. Probably he’d just left the fridge open. Probably she wouldn’t be angry at all when he told her what he’d done for them. He grinned wider when he saw that she held one of the ant traps in her left hand, a little talisman of hell and deliverance.

“I figured it out,” he said. “I figured out how to keep him from coming back.”

Her eyebrows folded. She hoped she didn’t understand. “You’ve made quite the mess in there.” Did she sound angry? She wanted to.

“I know, but it was the only way I could think of. We’re safe now. See, I lured them in with all the jelly. It was like an appetizer. Like eggrolls. Then they ate the poison too and then they all died.”

“Why did you do that, sweetie? They didn’t do anything wrong, did they?”

He didn’t hear the question. He just saw her face fold up in that way it only did when she tried to explain what had happened to Jenny. Then something flashed between them like a jolt of static and he felt what she was feeling. It was too much. It didn’t fit inside him. It came out in sobs and howls. “I was just trying to help. I just thought—he’d leave us alone. If he got a— a lot of them. He’d be—all full, and—and never come back again. I just thought—” Then words weren’t any good anymore. He fell in a pile on the lawn and listened to his own fantastic ruckus as though it were the last echo of something very far away.

With a certain reluctant grace she crossed the lawn to where her only child lay crying. His face made a dent in the soft earth and his tears filled it, a vernal pool that would vanish in the first summer heat. “Hon,” she said, almost touching him, “You can’t stop death. You can’t just— feed it till it’s not hungry anymore. That’s just the way things work.”

All she could make out was a muffled string of nos.

No use. She sighed, turned, walked back inside to have another look at the aftermath of the massacre. Hundreds, and all for nothing. She didn’t know what to do. She didn’t know what to say. She wanted to shake him, wanted to scream, wanted to tell him that he could get a new goddamn hamster if it meant that much to him.

She knew it wouldn’t help. Nothing would, ever.

Back on the lawn dark shadows gathered, the grass grew tall, and a hundred thousand black ants milled about in the eternal darkness of the soil.

Why Can’t I be a Bureaucrat?

Posted on March 17th, 2014

Why can’t I be a bureaucrat

So tender, meek and mild?

And follow you all through your days

And bear your paper child?

 

Why can’t I sit down at that desk

And wile away my time?

Attending meetings, conference call

And earn productive dime.

 

I’d get it all so nice and neat

I’d get it down on time.

And when the day is nearly through

I’d spend my goodly dime.

 

On barrel-busting drink and food

On stuffing my old craw,

And look away each time I think

My God, My God, My God.

 

Why can’t I be a bureaucrat?

Deny myself the pleasure,

Of ever doing as I please

My unproductive leisure.

 

I’d embarrass you, my sloven mess

I’d make you think I’m wild.

You’d hardly recognize the one who bore

Your loveless paper child.

 

You Tell Me

Posted on March 17th, 2014

The first week I hid in the long grass until my body became vapor and when it reassembled and the light fell down into the water I got up and walked back to the house.

 

The first week, I catalogued the silences, and their names.  The time before the bird takes off and leaves the branch trembling.  The time of white steam from the brown bowl.  The space between saying the word and the word reaching you.  Hands behind glass, waving.

 

The first week opened the land and gave me new sentences.  I took the old ones out, and assembled their meanings:  our bodies, moving through the kitchen.  Our bodies spelling one kind of truth.  Our bodies breaking eggs into a dark pan, the yolk staring back.  Your body, and its capable hands.  Your mouth.  

The second week, I began to lose things.  One:  a handful of minutes, misplaced in a drawer.  Two:  Three syllables.  And so on.  

 

The second week I stood in the far field where the red deer go and had white wrists that hung below my coat sleeves and when the phone in my deep pocket began to ring I said no.  

 

When the book came from the far library, I said yes.  The second week, I learned all that I could about the hidden and how it creates the seen.

 

The third week, I set out to cross the wide country.

 

I will stop, when I reach you.  I know this much is true.

I put down the manuscript and looked across the wooden table to where Ina sat, waiting for whatever it was that I would have to say.  I kept probing the inside of my mouth, trying to fish a corn kernel out of a molar in a pause that I hoped passed for reflection because it was bad and I didn’t know how to say it, or, at least, it was something that I understood but was embarrassed to have read.  Some prose is like catching your friend with her drawers down, and you want, instead of pointing it out, to silently pull them back up and keep walking on into some unfocused middle distance, as a courtesy to you both.

 

“It’s about Curtis.”

 

“mhmmm.”

 

Curtis.  Of course it was.  Curtis was confused.  Ina wanted the confusion to Mean Something.  Maybe it did.  Maybe it didn’t.  The facts were that it created a lot of words, in the meantime, designed to fill the spaces where she thought Curtis should be, and he wasn’t.  I wanted a fried egg.  I had Ina, instead, waiting.

 

“It’s….interesting.”  She’d know what I meant, but, there are words you push across tables because they are what you have, rather than what you really mean.

 

Ina got up, gathering the papers in front of me, and walked out of the room.  “Cigarette” was the thing she tossed over her shoulder, and the screen door echoed it, clanging in the cold.  We’d never taken it down.  You figure it will be spring, eventually.

 

The thing was, I wasn’t without sympathy.  There’s no surer hell than to be bent out of shape about someone who doesn’t have the sense to see that they’re in love with you.  The entire back fence was dedicated to that situation, because every post was named ‘He’ and every wire said ‘is stupid’ and I’d put them all in, one hot week in August, and decided that enough was enough.  I had the fence.  Ina had the words.  Between the two of us, frustration had fattened, like so many melons in a deep dark place, in the way that sweetness, given time, turns over into something sharp.  February goes straggling through all of your soft places with indiscriminate hands.  It doesn’t care where the bruises are.  Or how many.

 

What I wanted to tell her, while splitting wood, because nothing stops cold from happening, was that it wasn’t worth it.  That people are so routinely stupid, it shouldn’t surprise her any more, the way we’ve all ceased to be startled by the earth’s roundness, the passage of light through space, gravity working on objects.  The instant someone begins to know something about himself is the instant he will make a grand mistake.  On principle.  As an objection.  As an illustration.  As something he almost can’t help, the way a dog will pee on a rug.

 

Leave it.

Leave all of it.

Pile the wood higher, instead.

The fourth week, I counted shells.  Every shell in the house, taken from the reservoir, taken from the sea, the whole ones, the half broken ones.  Seventy-eight.  The fourth week.  I wrote the tally, and put it in the mailbox by the side of the road, and waited.  On the fifth day, it was gone, and I thought oh, thank you.  The fourth week I began three different letters and their contents were rocks, bones, and feathers but their last line was I love you and I sent none of them.  The fourth week had many things that I wouldn’t say.  

 

The fifth week the wind came.  

 

The sixth week, the snow.

The point is the letting go, Ina.

 

No, the point is the giving in, that is the point.

 

I’m shoveling and she’s smoking, the long fingers of it sketching in space.  They seem like the same thing, and Ina says that in one, you fall backwards, and in the other you fall forwards, and there’s a sense to that.  We’ve cleared a path down to the chickens.  I am stacking the last heavy pile where the others have been, and there is something final and neat about it, even though it’s not true.  It can be true for now.  For the next hour.

 

I found the shells arranged according to some formula I couldn’t quite work out, on the dining room table.  The paper with the number.  When I came back from hauling wood, the entire assembly was gone.

 

I’m not sure what she’s writing, now, when she goes upstairs, only, I hear pen and paper, and it goes on for some time.  I want to caution her against giving the right things to the wrong people, but, it’s too late, for all that.  The stove unrolls its red tongue in the dimming living room, and I sit there, tired in the growing dark.

The seventh week, the pond disappeared or became a meadow, singing at night in a low long moan.  It was another thing that I would give you.  If I could.  If you wanted.

 

The eighth week I slowly scraped the hair from my legs in the bath and there was a cut and nothing to be done about it except waiting.  The water went cold.  I left with fingers and toes that had turned bloodless in the hour.  

 

The ninth week I knew:  you had never read them.  Never was where I had wandered into.

It snowed all through the night, and into the next day.  The stove went out, and my breath stayed in the air, clouding around the still rooms.  When no one came down for tea, I pulled the boots on in a crack of frozen hides, and set out, for the far wood pile, for the feather of birds, sleeping in the deep snow, in the dark hold of their murmuring coop.

 

I found her down in the yard, a whiteness in a whiteness.

 

The first month was a story, and you were in it.

 

 

 

A Hurdy Gurdy Song

Posted on March 17th, 2014

Sometimes when I sit still, if I sit still for long enough without moving much, I can start to feel my pulse throbbing behind and around my eyeballs. It’s not really painful or uncomfortable in any way but it is much more present than usual, pulsing rhythmically and making me think about how fragile my eyeballs and eye sockets are. I have no idea if that is true or not, anatomically speaking, but that is the sensation that I have when I can feel my pulse in my skull that way, and it usually leads to me trying to imagine the way my veins are connected to my eyeballs; in my imagination they curve around the edge of my eyesockets to reach my eyelids and the skin of my face. Somebody told me once that your eyes are basically the equivalent of having two open wounds on your face at all times, in terms of vulnerability to infection that is, and though I have no real reason to trust this person’s ideas about biology or infection the notion of eyes being especially vulnerable and fragile is one I’ve had a hard timeshaking. It doesn’t pop into my head that often, but when it does I find myself blinking incessantly as if the physical act of blinking will somehow clear the vulnerable area of any unwanted bacterial or viral invaders. Mostly this is fine when I am by myself, as there is no real danger in excessive blinking, but in public, as on the bus for example, it has garnered a wide range of reactions from people who might happen to be observing me at that moment, ranging from apparent disinterest to unconscious, or at least presumably unconscious, mimicry to visible discomfort at their proximity to an individual behaving in such a fashion. A chalky man in a slightly undersized suit in a St. Louis airport once apparently interpreted this tic as a kind of flirtation, since he promptly began sweating vehemently and eventually handed me a warm and slightly soggy business card as he got up to board his plane, and subsequently spent the entirety of his time in line trying very hard not to look at me to see how I had reacted to his gesture. Currently it is attracting the attention only of a young boy who is sitting directly across from me and seems to be comparing my face to the faces of the other people around to see if I am really blinking more frequently than them or not, or at least that is what I assume he is doing. The boy is pretty clearly not accompanied by an adult, which is something I once found very strange when I had just moved to the city and was used to children even several years older than this one going virtually nowhere without adult supervision other than school and a few areas in town which children had de facto exclusive use of for play, such as the playground adjacent to the community center and the athletic fields in the part of the park that was not widely used for picnicking, both of which were easily within walking distance of the main residential areas of my hometown. That sense of strangeness was reinforced by a basic conviction, which yes is a prejudice that I can support only anecdotally, that cities are basically less safe than areas that are not cities due to the greater diversity of kinds of people across the ethnic and socio-economic spectrums congregated into such a relatively tiny amount of space. What I had, of course, failed to consider is the infrastructure designed by urban planning professionals to accommodate safe and convenient transportation for people who do not own or operate cars, of which children comprise a no-negligible but often overlooked percentage. Said infrastructure is not widely found in suburbs, or at least not the ones with which I am primarily familiar and in which this prejudice vis-à-vis the relative safety of cities vs. non-cities was born in me. And this child in particular, the one who has apparently taken note of my aforementioned blinking habit that is, seems to be especially adept at negotiating the particulars of urban public transit, as for instance he had ready the exact amount of change for his fare as he boarded the bus, which to me indicates either especially conscientious parents or an especially astute child. People’s behaviors when doing things like boarding the bus, and their ability to handle interactions of minute scope, such as paying their bus fare, are phenomena for which I have a rather acute eye and keen memory, a trait of mine which has been noticed and pointed out by several acquaintances. I have fanaticized, on more than one occasion, about adopting a habit of journal-keeping to record such observations, and have imagined myself pouring over notebook after notebook of such entries as, “Ms. Saginal is careful not to be seen by Mr. Warengo when she goes to check her mail at the mailbox” and, “the mustachioed man who takes the Green Line from the Chapel St. stop at 7:30am on weekdays shines his shoes, or else has them shined, on Tuesday nights or early Wednesday mornings,” until these notebooks, piled high in chaotic-looking yet organized stacks, filled much of the open space of my small apartment, for no other reason than to imagine the puzzled relatives entering my apartment after my death who did not know me very well at all and who then would pour through said notebooks trying to figure out what it was that I had spent my life working on, the mystical aura such a discovery would lend to my memory, the growing consensus in the press and in certain academic circles that I had been a half-mad genius who was tragically misunderstood and ignored by his peers, the books that would be written by scholars claiming to have finally grasped the timeless and profound insights of my magnum opus, the school of angst-ridden bright young students who would read my work and struggle to make sense of it and eventually champion my memory and name me as one of their primary influences. In this I think I would be the summation of my generation and the scientific eye it turned downward and inward, the obsession it felt with observing and recording and classifying for no reason other than for the great observers and recorders and classifiers to find their place in a pantheon spoken of in reverent tones by lonely frightened people and then promptly die like mice in mouse-traps, caught unaware and happy with a belly full of peanut butter. These are the sorts of monuments to me I see forming in the tiny interactions of others. And now, as always happens when such fantasies start to fade and the world around me comes back into focus, I am overcome with a severe and overwhelming nausea, such that the sight of the young boy across from me turns quickly from an optimistic one to a thoroughly repulsive one, at least until the feeling fades. I tend to deal with this sickness by breathing in deeply, filling my lungs as fully as I can manage to and savoring the feeling of tension it engenders before breathing out slowly and methodically. It usually takes about a half-dozen or so such breaths to fully settle my stomach, and I’ve occasionally wondered if it is in fact the breathing itself or the refocusing of my attention away from my departing fantasy and onto the act of breathing that is actually the cure for my sickness. Either way, it can be tricky to maintain a proper rate of breathing such that my nausea is soothed but I do not become lightheaded and do not hyperventilate, but once I have calmed my nerves my mind inevitably returns to whatever is most immediately at hand, which at the moment is myself on a bus headed towards the King Street district to visit my mother. I visit my mother somewhat regularly, and increasingly often over the last year or so, out of a combination of something like guilt and a desire to be the focus of someone else’s attention. My mother lives in a facility that could not accurately be called an “asylum” but is really more like a rest home for people whose mental state makes them incapable of coping with ordinary public life and its demands. At times when events in my life have felt particularly taxing or burdensome I admit that I have felt some envy towards my mother and her lack of responsibility and the patient care of professionals which she enjoys at the expense of a trust fund set up for her by the estate of my late father, on whose dime I will admit I also live comfortably albeit somewhat less lavishly. Truth be told, I think that the pervasive antiseptic odor and neatly ordered stacks of uninteresting magazines that constitute the facility my mother lives in would make me rather uncomfortable were I surrounded by them more frequently than during my visits. Still, I can’t help but wonder if my father’s death were not so simply the deeply traumatic rupture from reality that her physicians make it out to be but was also to her an opportunity to step back from the world and enter something like an early retirement with the pity and support of my father’s family. These sorts of speculative musings are something I am rather prone to, especially in situations such as this, a bus ride that is, in which time must be passed with relatively little distraction, and which are, I believe, the more-or-less direct result of living in a city. Something about the sheer quantity of sensory input to which one is exposed in the course of even a day of city life forces an individual, almost as a matter of survival, inwards toward introspective and, frankly, obsessive patterns of thought. There is safety only inside oneself, I would say, and that turning outwards to anything external in the hopes of orienting oneself in the universe is a fool’s errand at best. It is therefore also the result of living in a city that what small amount of spirituality I might have brought with me from my hometown has been thoroughly eradicated from me; it is in cities, I believe, that one can really tell that God is, in fact, dead. In the country, of which I will make no attempt to pretend my rather well-to-do and thoroughly modern hometown was a part but which I have visited on several occasions and have grown quite fond of, and have wished to make it well known to acquaintances that at heart I am thoroughly a man of the country, one might almost be able to convince oneself that something like God is at work in the world, but here in the city it is clear that the only force of consequence that we humans can see evidence of at least is man’s desperate struggle to pretend he will not die. And now I’ve gone and made myself nauseous again. Fuck. Fuck fuck fuck. Breathe deeply. One of the consequences of these sudden bursts of nausea, or perhaps it results from the subsequent heavy breathing, is that it often also produces a profuse sweating and flushing of the face, which similarly to the aforementioned blinking habit have little to no consequence in private but have a way of making strangers uncomfortable when occurring in public. There is little that can really be done about this other than waiting for it to pass. We should, at any rate, be arriving at the King Street station shortly, from which it is only a short walk to the facility my mother lives in. My visit with her will likely last just under an hour, beyond which she tends to grow tired from the strain of talking and focusing for so long, which I believe her medication makes difficult for her. Over the course of our last several visits she has made known to me a conviction, which she seems to have developed recently, that in her youth she was a patient of Jacques Lacan, and that not only did the two of them have a clinical relationship but also were lovers, and that this romance, and not the one she shared briefly with my father, which from all discernable evidence she seems to have forgotten completely, is the one around which her understanding of the narrative of her life is constructed. She has revealed to me that their affair went on for quite some time but was kept in the strictest secrecy, and that she used to refer to him affectionately as “[her] little Jacques” and “[her] sighing Jacques”, and that during intercourse, or as she would say, “when [she] gave [her]self to him in a wifely manner”, he had a peculiar habit of narrating the entire episode aloud in the present perfect tense, saying things such as “I have now unfastened and removed your brassiere,” “I have now penetrated you,” and “I have now ejaculated,” which rather than being off-putting or creepy my mother found delightful and quite stimulating and resulted in her finding their trysts more deeply and thoroughly satisfying than any others of her life. The fact that she has felt it appropriate to share such intimate, albeit fictional, details with me has left me convinced that she is no longer completely aware that I am her son. Despite this, I must say I am rather grateful for this development, since I have no doubt that this story is quite a bit more interesting than anything that could actually be happening in her life at the facility, and thus have spared our visits quite a bit of tedium. I will admit to having wondered if there were not some doctor or other staff member of the facility who were taking advantage of my mother’s confused state, seeing as despite her illness and somewhat unkempt appearance she is still rather pretty and has not lost much of her original charm that my father no doubt found so alluring, but if that is the case it seems to be doing her no apparent harm, and as I am at this point somewhat invested in seeing how this strange delusion develops I have decided not to investigate further for the time being. Should it ever appear that actual harm is being done I will of course intervene, but for now I am content to let sleeping dogs lie and observe the scenario during my visits. Perhaps it is selfish of me to risk my mother’s safety and comfort this way to spare myself some tedium and indulge a morbid curiosity. Well, I won’t deny that. In fact, I have increasingly become aware of a rather fundamental selfishness upon which the overwhelming majority of my thoughts and deeds are built, and I find myself much less upset by this realization than I might have assumed. I have come to terms with the fact that a basic narcissism is one of, if not the primary, foundational component of me. I am the heir to several generations of atheists and businessmen; how could I have been anything besides what I am? My children, should I ever have any, will no doubt ascend to heights of self-obsession that are forever beyond even my reach, and for their wonderful self-sufficiency and singularity of focus I envy them. I cannot manage to tear myself completely from the city around me, and as a result find myself pulled violently out of my soothing inwardness by the deafening sounds of civilization. What a burden it is, to have to share oneself with the world! But now I must rest here at this bus stop for a moment, and let this nausea subside before I go in to see my mother.

Guenevere, A Portrait

Posted on March 17th, 2014

Sheathe your tongues, gentlemen! You wrangle, you haggle over the law under the guise of righteousness. But a man with an angel’s face and a devil’s tongue is only mistaken for so long.

And a woman? A woman who knows her place perhaps does not speak amongst such noble gentlemen, amongst the chosen knights of the Table Round. Even a woman with a crown may keep her expressions to nods and glances, or as it suits her, a show of tears.

But what of a wife who does not protect the name of her husband when he has given her his name, and more than his name, his kingdom?

‘How dare I?’ I ask myself. I can only raise my voice amidst the din, against this rancor, out of love for my husband Arthur. Here you are, discussing my execution, my execution for treason, my execution as consequence and retribution for my betraying my husband. And I assert that I am one of the few here who loves him. And I am the only one who would hold my head still were he to swing the ax.

You discuss my execution, but not out of a love for the law and not out of a love for your king and my husband. You lust for control! Any sense of justice has fallen prey to your hedonistic sporting for advantage. Your whimsical play for power.

And I am the clown of your comedy. I am the fool. I am the joker now, fallen into your hand, and you mean to play me against my king.

I will not be possessed by you, gentlemen. I will not be shuffled and dealt. Though I have swallowed my tongue 1000 times, and though it may soon be cut out by your hands, I will not let the voices of impostors rise above my own.

I dare to speak out of love, however imperfect, for my king. It is only through his strength and his vision that any of us have a voice at this table. At this table, you may play at being king, but it is only because the true king has allowed it. King Arthur graced you with the opportunity to save yourselves from falling on your own swords, despite your steadfast determination. Through his leadership, we united and defeated countless invading forces. Through his wisdom, we turned our weapons and as much as we could of our hearts and minds to the Grail and its discovery.

There are empty seats at this table. Look about you. There are those who have died for our unity. There are those who have died on the sacred quest.

But there is one empty chair – I will make his report. I will make Lancelot’s report.

I will make Lancelot’s report to you, Arthur. I will make it to you and only you, though others may hear. I will make it to you, whom Lancelot and I love.

(Guenevere removes her crown and places it in the center of the table.)

I offer you Lancelot’s report humbly, as your wife and servant, if no longer your queen.

Let any of these men take my crown if they dare wear it. They will not take yours. Not these men, not these men who returned lost and defeated from the Quest. Not these men who could not find the road to the Castle of the Grail.

Lancelot returned while you were away, my king. But did he return defeated? His quest began without much hope. His powers were stripped. His armor was stolen. His sword broken.

He rediscovered prayer, my Lord. He rediscovered his service to you as a service to Christ. He rediscovered his service to Christ’s Cup as a service to you.

And there was his power – his strength, his armor and his sword.

There was his path! The road opened, my King. As you believed it would. And the road led to the door of a Church. And from the door of the Church, Lancelot saw the Grail itself.

My Arthur, this is the fruit of your Quest: The doors of the Church closed when Lancelot hesitated to pass through them.

Then he returned to us, my king. Not for your crown, but out of service. He returned to you and I with his story, with his questions and his doubt.

When Lancelot returned to Camelot, his home, he did not hesitate to enter. And he did not hesitate to find us, my Lord, though you were away. And he did not hesitate to enter my chamber, my king. He did not hesitate to discover what had come between him and God.

I received Lancelot and he told me of his Quest. And then we prayed. He had us pray, Arthur, with folded hands. And then our folded hands became our folded bodies. And we cried out of our longing for you, Arthur, and for peace.

This is my betrayal, Arthur, my husband and king. That out of service to your vision, I should find a road that leads me from your table to your dungeon and to my execution. And when the knights came to my chambers, to arrest us in your name, under your flag with their intentions – I did not flee because I knew my place as your wife. As a servant to your law.

Lancelot defeated all these belligerent knights and escaped. Each and every one. And these knights who crave his power and yours will put me to execution.

But you know, my King, as does Lancelot, and as I do now, delivering my message to the heart of your Table – we know that your power, and his, and mine are rooted in a power greater than our own. And out of service to this power, you offered the Quest for the Grail. Out of service to this power, Lancelot strove to fulfill it. Out of service to this power, and through its strength, I speak here that some meager voice of Truth may rise above the clamor of this hall and be heard.

These are not all bad men, my King. Those who are your servants. There are those who love you. Here again, I surrender myself to you and to them. To the table’s will.

I love you, my Arthur. May my last words as your wife be spoken here, here at your venerable table.

I believe in you, King Arthur. I believe your vision leads to greater peace.

The Grease Fire

Posted on March 17th, 2014

Like a meteor or some lesser Satan flung casually out of heaven, the cigarette, already stained a queasy brown by fingers that had rubbed, crushed, and worried it through four or five long minutes of staring at the second hand on a rusty watch face, flared one last time as it lapped the tainted air below the bar, arced through the lowest yard of booze fumes and boot stench, and died with an unheard fizzle on the damp and oily floor of the Dockyard.

Billy thrummed the fingers of his right hand, now empty and nervous as the yellowish foam that clung to the inside of his pint glass. Whatever he’d been drinking looked like it had been through once already. He didn’t like to think which end they’d tapped to get it out again. He’d heard they stored it in an open pit in the basement, a hole in the dirt floor ringed with the remains of rats who’d picked the wrong oasis. He’d had worse. He craned his neck to scan the room, muttered some halfhearted vulgarity, and lit another one.

In a darker corner, two children squabbled over a splintered piece of wood with a nail through one end that the younger, a blonde and unpleasantly freckled boy with a head shaped like a radish, had found under their table. It was Pancake Sunday, which meant someone in the kitchen had spread a tub of yellow paste onto the grill still seasoned with bits of last night’s hamburger patties. It wouldn’t matter after the syrup. Two years older if a little less vicious, his sister had the slight advantage of a firm grip on the end without the nail. One of their father’s arms lay across the table, cutting their head-sized discs of paste into manageable squares with the edge of his fork, carefully, as though each were a field on whose proper cultivation the life of the village depended. His other hand dug at the stubble under his chin, the color of pancakes.

Behind the bar, as far as possible from Billy, Thin Eddie leaned with his back against the taps and his chin on his ribs, wheezing through one nostril, arms crossed, dirty rag in one hand, long nails of the other hand digging into his calloused palm, foot tapping to what would have been on the radio if the speakers hadn’t blown out last Thursday. He hadn’t slept in a week and he didn’t miss it. Every Saturday night was a nightmare anyway, clumsy tongues yawping names of drinks unknown to the living, empty lips sucking down whatever swill he poured them.

Waking was enough. He hated them all.

In the kitchen, the man in the stained apron wiped his chin and turned the dial to high. The front door opened, admitting a gust of air that stirred up several weeks of odors from nooks that had never known the mop. Billy twisted half around, hope and panic folded together in the dry creases of his face. He squinted hard, checked his watch again, tossed his cigarette on the floor just in case, and waited. He didn’t want glasses. The constant blur he lived in was stark enough, realer than he liked. Either it was her or it wasn’t. She’d come over and sit down, or someone else wouldn’t. He waggled his hand toward Thin Eddie. He wanted a prop, and the beer, or whatever it was, was cheap enough.

Radish-head brought his heel down hard on his sister’s toes. It was a dirty move but it worked. She squealed in pain and he wrested the club away from her, giggling like a hysterical imp. Their father’s fork rose from the pancake plate, shaking a little, saying more than words.

“You two,” he said, and paused to sniffle, “behave.” He didn’t look them in the eyes. The sister glared down at the splinters in her palm, swearing revenge.

“Same thing,” asked Thin Eddie behind the bar, his voice flat, gummy. Billy didn’t bother nodding. The tap opened, spurting pale yellow liquid and bits of foam into the cloudy glass. “Another pint of the finest,” he said, and slid it down the bar. He crossed his arms again, closed his eyes. Better than dreaming, he thought. This dark room with its dirt floor was too full of dreams already. The diners dreamed each other, the drinkers dreamed themselves, the old and leaky building dreamed them all. When Thin Eddie closed his eyes he thought of the sun and fresh crabmeat, white pines and bobcats and no one left in the world, not even himself. His foot tapped on, oblivious.

In the kitchen, the man in the shredded apron dumped the devastated remnants of several potatoes into the boiling oil and laughed as it splattered his face.

Stepping inside, she spotted him right away. The back of his head was more familiar than his face. It wasn’t his fault. It was just a nothing face, empty and expressionless, made for turning away from things and losing curiosity. She breathed through her mouth and tried not to think about pancakes as she crossed from the front door to the bar, examined the surface of a vacant stool, thought better of sitting on it. “Hello, Billy,” she said.

The father of two put down his fork, thrust the plate toward his kids, and dug under his chair for the newspaper that someone had left there on—he picked it up, wiped his hands, checked—Wednesday. He opened to the Television section, scanned the page, grunted. Radish- head swung his club like a hammer, a wet red smile widening across his face with each gouge he cut in the wooden table. His sister picked out the soggiest piece of pancake, lifted it with bare fingers, carefully tested its weight, and took aim.

Billy looked up through his anesthetized haze. So it was her. He didn’t think she’d come. She usually slept in on Sundays. He tried to smile, coughed instead, and lit another cigarette. “We gotta talk,” he managed.

“There’s nothing left to talk about, Billy,” she said, holding her nose shut against the tobacco fumes.

“There’s always something,” he said.

In the kitchen, black smoke rose from the fryer. The man in the stained, shredded apron laughed as he grabbed everything within reach—an onion, the paring knife, a chipped porcelain angel, a canister of salt, next week’s shift schedule—and dropped each one with a round and satisfying plop into the boiling oil.

“Here,” said Billy, “I bought you something. Real nice something.” He reached inside his coat.

Thin Eddie sniffed at the air. It smelled more wrong than usual. He thought about opening his eyes, then dug his chin deeper into his collarbone.

Billy opened his hand. A silver chain, a tarnished pendant, someone’s face in profile,dirty white against a background black as soot.

The pancake hit Radish-head’s face with a wet smack. He howled in rage, eyes clenched shut against the blinding syrup. His sister roared in triumph. The newspaper crashed to the table and their father’s eyes burned like hellfire. “That’s it,” he said. No one listened.

“Dammit, Billy,” she said, shoving his hand away. “You didn’t buy that. That’s Mom’s.”

“Same difference.”

“You can’t just take whatever you want. There are rules, Billy.”

In the kitchen, the tired old cook in the worn-out apron roared with mad laughter as he lifted an armful of bottles from a case of high-proof vodka in the corner. One last test. One final recipe. He’d always wondered . . .

Billy shrugged. “I was broke.” He knocked his empty glass over, dropped the pale, dead cameo onto the bar, and hoisted himself mostly to his feet. “Worth more than the damn beer anyway,” he said. “Real silver—stuff.”

Thin Eddie heard the rattle of bottles in the kitchen, muffled by a low roar like wet dough plunging down a well. Something was definitely wrong. He’d count to ten and then he’d open his eyes. He’d count to nine—

Reeling, berserk, Radish-head slammed his club blindly downward. It stopped with a damp thud and then it wouldn’t move. His sister’s eyes widened, impressed. Their father looked down to where his own hand lay nailed to the table in a widening pool of cheap ketchup. Shock held off the pain for several seconds.

She left her brother half standing and started for the door, her teeth clenched fast against the fury inside her. Never again.

In the kitchen, the madman stood on the counter above the fryer, breathing the black smoke in great lungfuls, two bottles clutched by their necks in each of his broad hands. He opened his mouth wide to let out a bellow of triumph. He counted to three, and then he let go.

Heavy heels dug tracks in the floor. A pierced hand oozed. Two eyes shot open. A river of yellow foam rolled over a featureless and forgotten face. A great plop, a shatter of glass, the bright hiss of sudden rising fire. All the air rose together in a scream like the birth pains of the world, and everything vanished in light.

Up For Air

Posted on March 17th, 2014

The weight of the hatchet is heavy in my hands. I feel the heft of it, the worn-smooth grain of the wooden handle, the coolness of the metal head, and the sharpness of the blade. It’s the one used by my father, splintering the fallen branches that fed the backyard fires in the cold of winter. It’s in my hands and I’m standing in the shed, surrounded by the workshop bric-a-brac assembled by him over the years: baby food jar lids nailed onto a board, their matching jars screwed on and filled with nails of infinite varieties; dozens of hammers and saws in varying stages of rust and decay; lengths of rope, nylon and manila, new and frayed, dangling off hooks in the roof; buckets, large and small, plastic and metal, some with holes, because you never knew when you’d need an extra one. The detritus of the hard-won and short-lived escapes from the burdens he carried on his shoulders. And, I’m thinking, “What am I going to do with all of this?” By “this” I mean “everything.” These things in the shed. These things in the yard. Those things in the house. That thing in my heart. The heavy weight of sadness, loss, anger. How am I going to manage these things? Why do I have to take care of all of this? Why ME?

As I’m standing there, the November cold seeping into my feet, the hatchet is swinging slowly in my hands, matching the tempo of my thoughts. The phrase that repeats itself in my head is, “You’re the responsible one. You know what to do. I can count on you.” And, I’m remembering the story she told me, oft-repeated, where I’m sent to the store to get a loaf of bread and a gallon of milk and I come back with…a loaf of bread and a gallon of milk. Because I’m the responsible one. When she tells the story, I smile because I like being the responsible one, who causes little worry, who needs next to nothing. I make no trouble (except for the giant Hershey bar hidden under the bed that provides solace in place of the piano lessons/braces/things I can’t have and whose crumbs make brown spots in the rug). The responsible one. The responsible one. My pulse quickens. The hatchet swings, faster now, to the rhythm of the words in my head.

Well, what if I don’t want to be the responsible one? What if I use this hatchet, throw it and break these things, cut them down, create mayhem and drama, draw blood, shout and stomp and say, “No! I don’t know what to do!” What if? What then? Who would take care of these things? And, then I’m remembering the dream from the night before, when I woke up half- crying, half-laughing, recognizing in the words she spoke to me there that thing which I’ve always carried in my heart. In the dream, we were swimming; maybe it was the pond miles from the house, on a hot summer day. I’m rising up out of the water, my body smooth and pale, my hair in tendrils on my neck, my eyes catching the expression on her face, one of pleasure and recognition, and she says, “Oh! I see you! I know you! You are beautiful.”

So, there it is. That thing in my heart. A need, my need, next to nothing, to be seen. To have needs, small or big, frivolous or necessary, different from hers but the same. Outside of my dream, for whatever reason then, even now, she doesn’t speak those words. And, I want to throw the hatchet at her, have the sharp edge of the blade, my words, cut into her awareness, and draw them forth. But, she won’t or she can’t, and I’m tired of trying. I decide, in that moment in the shed, to lay the hatchet down.